In the 19th and early 20th centuries, touring circus
performers were among the world’s most popular entertainers. Whole
cities would shut down when their shows rolled into town, and many of
the bigger names were well-paid celebrities who hobnobbed with artists
and world leaders. From Queen Victoria’s favorite lion tamer to a doomed
aerialist, step right up and meet eight of the most beloved and
influential stars of the big top.
Isaac Van Amburgh—“The Great Lion Tamer”
From his humble origins as an assistant at a menagerie called the
Zoological Institute of New York, the flamboyant Isaac Van Amburgh grew
into the most famous lion tamer of the 19th century. His act was
renowned for its extreme daring. After entering the cage clad in ancient
Roman garb, Van Amburgh would taunt his collection of lions, tigers and
leopards and force them to stand on his shoulders and let him ride on
their backs. He would also act out scenes from the Bible by introducing a
lamb and a young child into the mix and having them sit alongside his
big cats as though they were its own cubs. For his big finish, the great
tamer would soak his arm or his head in blood and fearlessly thrust it
between a lion’s gaping jaws. Most of Van Amburgh’s tricks were achieved
through sheer brutality—he subdued his animals by beating them with
whips and crowbars—but they won him widespread acclaim in the United
States and Europe. His most famous admirer was the British Queen
Victoria, who attended his London show seven times in 1839 and later
commissioned a painting of him reclining with his cats.
Dan Rice—“The King of American Clowns”
Dan Rice’s name isn’t well known today, but in the mid-19th century
he was a world famous performer who counted the likes of Mark Twain and
President Zachary Taylor as acquaintances and admirers. The New York
native first stepped into the spotlight in the 1840s with a clowning act
that mixed physical comedy and trick riding with homespun witticisms
and musical numbers. Audiences ate it up, and he was soon raking in
$1,000 a week as the star and owner of his own traveling circus. Part of
Rice’s appeal lay in his ability to mix topical humor and political
satire with feats of strength and other traditional circus stunts. He
was one of Abraham Lincoln’s most outspoken critics during the Civil
War, and he later launched a short-lived bid for the presidency in 1868.
Rice’s popularity waned in the years before he finally hung up his
clown shoes in the 1890s, but he’s since been hailed as one of the
fathers of the modern circus.
Annie Oakley—“The Peerless Lady Wing-Shot”
Phoebe Anne Moses first honed her rifle skills while hunting wild
game during her childhood in Ohio. After marrying vaudeville performer
Frank Butler in the 1870s, she took the name “Annie Oakley” and toured
with circuses as a professional sharpshooter. By the 1880s, the young
deadeye had joined the frontier extravaganza “Buffalo Bill’s Wild West”
and become its highest paid performer. Her arsenal of tricks including
hitting the edge of a playing card from 30 paces, snuffing out a candle
with a bullet, blasting targets while riding a bike and even shooting a
lit cigarette from her husband’s lips. Crowds were entranced by Oakley’s
superhuman marksmanship and folksy personality, and she eventually
spent some three decades touring the world with the Wild West and other
shows. Before retiring in 1913, she performed for the likes of Queen
Victoria, Kaiser Wilhelm II and Thomas Edison, who once filmed one of
her shooting exhibitions with a newly invented kinetoscope camera.
Jules Leotard—“The Daring Young Man on the Flying Trapeze”
French-born acrobat Jules Leotard is remembered as the first man in
history to attempt a flying trapeze act. The son of a gymnasium owner,
he first practiced the high-flying stunt over his family’s swimming pool
before unveiling it in 1859 at the Cirque Napoleon in Paris. He later
took his act to London, where he captivated audiences by somersaulting
between five different trapezes with only a pile of old mattresses to
break his fall. Leotard’s death-defying deeds made him into something of
a sensation during the 1860s, but his career was tragically cut short
after he died of disease at the age of 28. By then, the intrepid
aerialist had already been immortalized in the popular song “The Daring
Young Man on the Flying Trapeze.” He also became the namesake for the
“leotard,” the snug, one-piece garment that he had designed to show off
his physique during performances.
Zazel—“The Human Projectile”
In 1877, the world’s first recorded human cannonball took flight when
teenaged acrobat Rosa Richter—better known by her stage name
“Zazel”—was shot into the air at the Royal Aquarium in London. The
“cannon” that sent her airborne was invented by tightrope walker William
Leonard Hunt and consisted of coiled springs attached to a foot
platform. When the springs propelled Zazel out of the barrel and into a
waiting safety net, a worker would set off a gunpowder charge to
recreate the look and sound of a cannon shot. Word of Zazel’s
death-defying stunt quickly spread, and it wasn’t long before crowds of
up to 15,000 people were gathering to watch her soar over their heads.
The young daredevil later toured with P.T. Barnum’s circus in the United
States, but her luck finally ran out in 1891, when she overshot the net
during a performance in New Mexico. While Zazel survived, a broken back
forced her to retire from the circus for good.
Charles Blondin—“The Great Blondin”
French daredevil Charles Blondin made his first circus appearance as a
young boy, when he performed somersaults and wire dancing under the
name “The Little Wonder.” He was a skilled acrobat and athlete—he once
leapt over two lines of soldiers holding fixed bayonets—but he was most
famous for his heart-pounding exploits as a tightrope walker. In June
1859, a 35-year-old Blondin made history when he strung a 1,300-foot
hemp rope between the American and Canadian sides of Niagara Falls and
strolled across the chasm, pausing along the way to enjoy a few swigs
from a bottle of wine. He later repeated the stunt on multiple
occasions, each time with a new and seemingly suicidal twist. He
conquered the falls on stilts, with a sack over his head, wearing
chains, pushing a wheelbarrow and even while carrying his terrified
manager on his back. Most famous of all was the time he crossed with a
cooking stove and stopped halfway to prepare an omelet—all while
balancing on a 2-inch-wide rope suspended some 160 feet above the water.
“The Great Blondin” would later make a fortune displaying his high wire
heroics across the United States, Europe, Asia and Australia. He became
world famous, so much so that several imposters and imitators used his
name to get publicity for their own tightrope stunts.
May Wirth—“The World’s Greatest Bareback Rider”
Trick riding and equestrian stunts were a fixture under the big top
from its early days in the 18th century, but few riders ever became as
famous as Australia native May Wirth. Born into a circus family in 1894,
she got her start as a child wirewalker and contortionist before
hopping on horseback at age 10. She later joined Barnum and Bailey’s
circus in America, where she dazzled audiences with an act that combined
acrobatics with expert bareback riding. Wirth could perform a forward
flip on horseback from a kneeling position—the first woman to do so—and
perfected a trick where she did somersaults from one moving horse to
another. The dainty, 4-foot-11-inch rider also showed off her physical
strength by leaping from the ground onto the back of a galloping
stallion, sometimes while blindfolded and wearing heavy baskets on her
feet. Wirth’s good looks and daring stunts won her legions of admirers
and frequent mentions in the gossip pages of newspapers. By the time she
finally retired in 1937, she had spent 25 years as one of the circus’s
top female performers.
Lillian Leitzel—“The Queen of Aerial Gymnasts”
During the golden age of the circus in the early 20th century, no
star shone brighter than that of German-born aerialist Lillian Leitzel.
She captivated audiences with an act that consisted of acrobatic tricks
and poses performed while hanging from Roman rings suspended 50 feet
above the ground—always without a safety net below. For her grand
finale, she would grasp the ring with one hand and flip head over heels
so rapidly that her arm would dislocate and then snap back into place
with each turn. The spellbinding routine made Leitzel into an
international diva. She was voted “the most beautiful and attractive
woman in all the world” by American soldiers during World War I, and she
became the first Ringling Brothers and Barnum and Bailey star to
receive a private train car while on tour. Leitzel continued her
physically demanding act well into her 30s, but her career ended in
tragedy in 1931, when a piece of metal on her rigging snapped during a
performance in Copenhagen and sent her plummeting to the floor. She died
from her injuries just two days later.
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